
Agnès Varda has always been a shape-shifter. First a still photographer, she became a filmmaker at age twenty-six, and then, over the past decade and a half, a gallery artist. Her serenely beautiful show at Blum & Poe gallery in New York (through April 15) is a hop-skip-jump retrospective of her photography and gallery art that opens with a series of eighteen vintage silver prints from 1954 and is anchored by three photographic self-portraits. Depicting Varda respectively in her youth, midlife, and old age, they differ in their collage techniques but show her sharp-eyed gaze and Joan of Arc bowl haircut poignantly unchanged over sixty years. Elsewhere in the exhibition, three meditative moving-image installations fulfill her succinct self-description—that she has transformed herself “from an old filmmaker into a young artist.”
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